![]() Stripped of its expected components, what exactly is Metal Gear?ĭespite its broader trappings as a loose Metal Gear Solid 4 epilogue of sorts, Platinum doesn’t exactly have an answer. Transmuted into an over-the-top action title, Revengeance’s completion marks the first time the bulk of development on a major, original Metal Gear title has been handed off to another studio.īut in the absence of Snake, Ocelot and close to everything else you’ve come to expect from Metal Gear in the past decade-plus of Kojima’s guiding hand, there’s an even stranger question perpetually looming throughout Raiden’s ripping slice-and-dice yarn. ![]() The game was outright scrapped in 2011 by Kojima Productions after its initial incarnation-where Raiden could cut absolutely anything rendered in-game to pieces-was deemed literally impossible to program. Ideologically, this makes Revengeance a weird game to approach. At times these are probably two sides of the same coin. Like the rest of Metal Gear Rising (or as it is more aptly subtitled, Revengeance), you’re not quite sure if at this moment the scriptwriter (incidentally not an employee of Platinum Games but Kojima Productions itself) might be poking fun of Metal Gear Solid’s narrative legacy or is just trying his best to ape it. Kojima’s directorial penchant for long-winded philosophy has long been a divisive cornerstone of Metal Gear Solid’s narrative pastiche, and as Raiden prepares for a late-game face-off against his rival Samuel’s high-frequency blade, it is a battle of ideologies, albeit simple ones: two swords of opposing stripes fighting for the right to, well, kill each other. The line passes without special emphasis, but for hardcore Metal Gear fans it may be hard not to chuckle. “We’ve both heard enough speeches about higher causes by now.” “…Forget it.” The cyborg ninja’s heavily-corded adversary dismisses the thought with a shake of his head. “Excuse me?” Raiden asks, perhaps mirroring the player. Raiden sits atop an idling motorcycle stopped on a hot, deserted road in the middle of nowhere. The speaker, a beefy man resembling a samurai in a high-tech battle suit, flippantly gestures to Raiden, Hideo Kojima’s pretty-boy-agent-turned-badass-cyborg. ![]()
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